Writing a good biographical essay on a literary figure requires:
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Essay on Biography : Manuel Zapata Olivella
The following sample essay is showing you how to properly write about yourself. If you are assigned to write an autobiographical essay, read on.
Essay on William Shakespeare's Biography -- Biography Essays
Nov 2, 2016 ... You face the same struggle when writing a biographical essay. The person you're writing about is probably a celebrity, a political figure, or a ...
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By the time he left Columbia with his master's degree in English in 1924, Zukofsky hadstudied with some of Columbia's most prominent scholars, including the poet Mark VanDoren, the philosopher John Dewey, and the novelist John Erskine, whose "GreatBooks" approach to literature Zukofsky would lampoon in "Poem beginning'The.'" He had also written, as his M. A. thesis, the earliest version of his longessay "Henry Adams: A Criticism in Autobiography." Zukofsky's fascination withAdams, scion of perhaps the first family of Anglo-Saxon Boston, a self-proclaimed decadentrepresentative of a heroic tradition, and like his contemporary Henry James a culture-herofor American modernism, was to persist through much of his career. Adams's late and ratherrecondite ideas about the progression of "phases" in history would greatlyinfluence Zukofsky, and the form of his Adams essay, the vast majority of which isquotation from Adams's works, looks forward to Zukofsky's mature compositional methods inboth criticism and poetry, where the magpie-like collaging of quotation lies at the heartof his writing.What choices must a biographer make when stitching the pieces of a life into one coherent whole? How do we best create an accurate likeness of a private life from the few articles that linger after death? How do we choose what gets left out? This intriguing and witty collection of essays by an internationally acclaimed biographer looks at how biography deals with myths and legends, what goes missing and what can't be proved in the story of a life. presents a variety of case-studies, in which literary biographers are faced with gaps and absences, unprovable stories and ambiguities surrounding their subjects. By looking at stories about Percy Bysshe Shelley's shriveled, burnt heart found pressed between the pages of a book, Jane Austen's fainting spell, Samuel Pepys's lobsters, and the varied versions of Virginia Woolf's life and death, preeminent biographer Hermione Lee considers how biographers deal with and often utilize these missing body parts, myths, and contested data to "fill in the gaps" of a life story. In "Shelley's Heart and Pepys's Lobsters," an essay dealing with missing parts and biographical legends, Hermione Lee discusses one of the most complicated and emotionally charged examples of the contested use of biographical sources. "Jane Austen Faints" takes five competing versions of the same dramatic moment in the writer's life to ask how biography deals with the private lives of famous women. "Virginia Woolf's Nose" looks at the way this legendary author's life has been translated through successive transformations, from biography to fiction to film, and suggests there can be no such thing as a definitive version of a life. Finally, "How to End It All" analyzes the changing treatment of deathbed scenes in biography to show how biographical conventions have shifted, and asks why the narrators and readers of life-stories feel the need to give special meaning and emphasis to endings.